PluralEyes 4.0 is even quicker the audio sync software now opens in a panel within Premiere Pro, meaning you don’t even have to enter a standalone piece of software: After syncing had completed, a click of the export button would close the program and return you to Premiere Pro with some newly made timeline in your project bin. Previous link up with NLE programs was pretty quick and easy one extension click in Premiere Pro and your timeline was importing into an auto-opened PluralEyes.

I completely agree that the previous PluralEyes tries a little too hard in emulating an NLE interface I simply want to sync my clips and get out of there. They’ve stripped the interface right back, removed the unnecessary user input for ‘how hard’ the software works & added Audio Drift Correction as standard. It’s clear Red Giant took a step back and reviewed PluralEyes from a user point of view. The last point maybe a little ambiguous but I will explain later. Improved support for NLE software like FCP X and Premiere Pro CC.Auto analyse alleviates un-necessary user selection.Below you’ll find some of the key points: So what does PluralEyes 4.0 bring us? I currently use 3.0 and was excited to learn a little more about the new features this update will bring. The process is simple: it analyses similarities within audio tracks (you need reference audio for every video track) and matches them up, saving you hours of manually syncing multiple files. Whether it’s a single camera and audio recorder, or MultiCam setup with several audio sources.

PluralEyes 4.0 simplifies its interface, alleviating confusing controls and adding faster, more streamlined workflows with Premiere Pro CC and Final Cut Pro X.įor those who don’t know, PluralEyes is a very useful tool for syncing audio and video.

Red Giant has announced PluralEyes 4.0, a sleek new update to the audio sync software.

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